Tuesday, July 21, 2009

Kubrick's Other Space Film

In celebrating the 40th anniversary of the moon landing, naturally, the kooks would be coming out of the woodwork. My favorite? Courtesy of Jay Weidner, who not only implicates massive fraud, but also puts it in the directorial hands of the master, Stanley Kubrick.

It has now been forty years since the fabled moon landings by NASA and the Apollo gang. When it comes to the subject of the moon landings, people tend to fall into two belief groups. The first group, by far the bigger of the two groups, accepts the fact that NASA successfully landed on the moon six times and that 12 human beings have actually walked on the surface of the moon. The second group, though far smaller, is more vocal about their beliefs. This group says that we never went to the moon and that the entire thing was faked.

This essay presents a third position on this issue. This third point of view falls somewhere between these two assertions. This third position postulates that humans did go to the moon but what we saw on TV and in photographs was completely faked. Furthermore this third position reveals that the great filmmaker Stanley Kubrick is the genius who directed the hoaxed landings.

C'mon, aren't you dying to get on this ride? Here's some hard to believe, unsubstantiated essay portions:

After the assassination of Kennedy in 1963, NASA began a new plan that would solve the problem that JFK initiated. This new plan would allow NASA, and the shadow government, to keep the saucer technology secret and to still make it look like standard rocketry had taken man to the moon and back. Someone high up in the shadow government decided to fake the entire moon landings in order to conceal the United States' extremely new and advanced Nazi technology both from us, the citizens and our enemies.

No one knows how the powers-that-be convinced Kubrick to direct the Apollo landings. Maybe they had compromised Kubrick in some way. The fact that his brother, Raul Kubrick, was the head of the American Communist Party may have been one of the avenues pursued by the government to get Stanley to cooperate. Kubrick also had a reputation for being a notoriously nasty negotiator.

In the end, it looks like Stanley Kubrick faked the moon landings in return for two things. The first was a virtually unlimited budget to make his ultimate science fiction film: 2001: A Space Odyssey, and the second was that he would be able to make any film he wanted, with no oversight from anyone, for the rest of his life.

Eyes Wide Shut was released on July 16th 1999. Stanley Kubrick insisted in his contract that this be the date of the release. July 16th 1999 is exactly 30 years to the day that Apollo 11 was launched.

Clearly, that proves nothing. The fragile house of conspiracy hinges on allegedly shared technology:

No one knows how many things he tried but eventually Kubrick settled on doing the entire thing with a cinematic technique called Front Screen Projection. It is in the use of this cinematic technique that the fingerprints of Kubrick can be seen all over the NASA Apollo photographic and video material.

So what is Front Screen Projection? Kubrick did not invent the process but there is no doubt that he perfected it. Front Screen Projection is a cinematic device that allows scenes to be projected behind the actors so that it appears, in the camera, as if the actors are moving around on the set provided by the Front Screen Projection.

The process came into fruition when the 3M company invented a material called Scotchlite. This was a screen material that was made up of hundreds of thousands of tiny glass beads each about .4mm wide. These beads were highly reflective. In the Front Screen Projection process the Scotchlite screen would be placed at the back of the soundstage. The plane of the camera lens and the Scotchlite screen had to be exactly 90 degrees apart. A projector would project the scene onto the Scotchlite screen through a mirror and the light would go through a beam splitter, which would pass the light into the camera. An actor would stand in front of the Scotchlite screen and he would appear to be 'inside' the projection.

Really, it's worth a read, and has all the hallmarks of a true crackpot masterpiece.

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