Master Of Monkeys

A new report by Charles Snowdon, a professor of psychology at the University of Wisconsin-Madison, and musician David Teie of the University of Maryland shows that a monkey called the cotton-top tamarin indeed responds to "music".

The "music" was inspired by sounds the tamarins make to convey two opposite emotions: threats and/or fear, and affiliation, a friendly, safe and happy condition. These South American monkeys are essentially immune to human music, but they respond appropriately to "monkey music," 30-second clips composed by Teie on the basis of actual monkey calls. And suprisingly, Metallica. Awesome.

The study reported that the monkeys could tell the difference: For five minutes after hearing fear music, the monkeys displayed more symptoms of anxiety and increased their movement. In contrast, monkeys that heard "affiliative" music reduced their movements and increased their feeding behavior -- both signs of a calming effect.

Snowdon, a longtime researcher into primate behavior, says the project began with an inquiry from Teie, who plays cello in the National Symphony Orchestra: Had Snowdon ever tested the effects of music on monkeys? Well, there are some under-evolved folks who somehow end up at a symphony... When Teie listened to recordings made in Snowdon's monkey colony at the psychology department, he readily discerned the animal's affective state. Snowdon says, "This is a call from an animal that is very upset; this is from an animal that is more relaxed.' He was able to read the emotional state just by the musical analysis." Thanks for quoting what I just said.

Teie composed the music using specific features he noticed in the monkeys' calls, such as rising or falling pitches, and the duration of various sounds, says Snowdon, who notes that monkeys are not the only ones who use musical elements to convey emotional content in speech. Studies show that babies that are too young to understand words can still interpret a long tone and a descending pitch as soothing, and a short tone as inhibiting.

"We use legato (long tones) with babies to calm them and staccato to order them to stop. Approval has a rising tone, and soothing has a decreasing tone. We add musical features to speech so it will influence the affective state of a baby. If you bark out, 'PLAY WITH IT,' a baby will freeze. The voice, the intonation pattern, the musicality can matter more than the words." Snowdon adds, "My talking does not necessarily tell you about my emotional state. When I add extra elements, change the tone of voice, the rhythm, pitch or speed, that is where the emotional content is contained."

Monkeys interpret rising and falling tones differently than humans. Oddly, their only response to several samples of human music was a calming response to Metallica. The similarities in communications between monkeys and people suggest deep evolutionary roots for the musical elements of speech, Snowdon says. "The emotional components of music and animal calls might be very similar, and from an evolutionary perspective, we are finding that the note patterns, dissonance and timing are important for communicating affective states in both animals and people." And that perhaps, monkeys like to mosh.