Tourist Jurist

Nevermind the case so much, which if I'm lucky will start deliberating at the end of the week. During lunch I had a chance to stop off at the Bradbury Buliding (yes, the very same as used in Blade Runner), which was beautiful. The wiki:

The building was commissioned by Lewis Bradbury (after whom it is named), a mining millionaire who had become a real estate developer in the later part of his life. His plan (in 1892) was to have a five story building constructed at Third Street and Broadway in Los Angeles, close to the Bunker Hill neighborhood.

A local architect, Sumner Hunt, was first hired to complete a design for the building but Bradbury ruled against constructing his plans which he did not view as adequately matching the grandeur of his vision. Bradbury then hired George Wyman, one of Hunt's draftsmen, to design the building.

Wyman at first refused the offer to design the building. However Wyman supposedly had a ghostly talk with his dead brother Mark Wyman (who had been dead for six years) while using a planchette board with his wife. The ghostly message that came through supposedly said "Mark Wyman / take the / Bradbury building / and you will be / successful" with the word "successful" written upside down. After the episode, Wyman took the job and is now regarded as the architect of the Bradbury Building. Wyman's grandson, the science fiction publisher Forrest J. Ackerman, owns the original of this document. Coincidentally, Ackerman is a close friend of science fiction author Ray Bradbury.

Wyman was especially influenced in the construction of the building by Edward Bellamy's book Looking Backward (published in 1887) which described a utopian society in the year 2000. In the book, the average commercial building was described as a "vast hall full of light, received not alone from the windows on all sides, but from the dome, the point of which was a hundred feet above ... The walls and ceiling were frescoed in mellow tints, calculated to soften without absorbing the light which flooded the interior." This description greatly influenced the Bradbury Building.

The building itself features an Italian Renaissance-style exterior facade of brown brick, sandstone and panels of terra cotta details, in the "commercial Romanesque" that was the current idiom in East Coast American cities. But the magnificence of the building is the interior that you reach through the entrance with its low ceiling and minimal light that seems to hug your senses until you are welcomed with the flood of natural light and expanse within great center court.

The five-story central court features glazed brick, ornamental cast iron, tiling, rich marble, and polished wood, capped by a skylight that allows the court to be flooded with natural rather than artificial light creating ever changing shadows and accents during the day. The elevators in the building are also famous for their being cage elevators surrounded by wrought-iron grillwork rather than masonry. They go up to the fifth floor.

The entire main building features geometric patterned staircases at all ends. The building is known for its large use of ornately designed wrought-iron railings which are supposed to give the illusion of hanging vegetation and are found throughout the building. This wrought-iron was executed in France and displayed at the Chicago World's Fair before being installed in the building. Freestanding mail-chutes are also made out of ironwork. The walls are made of pale glazed brick, the marble used in the staircase was imported from Belgium, and the floors are composed of Mexican tile.