Image Is Everything In Hollywood

You see these opening logos every time you go to the movies, but have you ever wondered who is the boy on the moon in the DreamWorks logo? Or which mountain inspired the Paramount logo? Or who was the Columbia Torch Lady? Well, here you go...

DreamWorks SKG: Boy on the Moon

In 1994, director Steven Spielberg, Disney studio chairman Jeffrey Katzenberg, and record producer David Geffen (yes, they make the initial SKG on the bottom of the logo) got together to found a new studio called DreamWorks.

Spielberg wanted the logo for DreamWorks to be reminiscent of Hollywood's golden age. The logo was to be a computer generated image of a man on the moon, fishing, but Visual Effects Supervisor Dennis Muren of Industrial Light and Magic, who has worked on many of Spielberg's films, suggested that a hand-painted logo might look better. Muren asked his friend, artist Robert Hunt to paint it.

Hunt also sent along an alternative version of the logo, which included a young boy on a crescent moon, fishing. Spielberg liked this version better, and the rest is history. Oh, and that boy? It was Hunt's son, William. The DreamWorks logo that you see in the movies was made at ILM from paintings by Robert Hunt, in collaboration with Kaleidoscope Films (designers of the original storyboards), Dave Carson (director), and Clint Goldman (producer) at ILM.

Metro-Goldwyn-Mayer (MGM): Leo The Lion

In 1924, studio publicist Howard Dietz designed the "Leo The Lion" logo for Samuel Goldwyn's Goldwyn Picture Corporation. He based it on the athletic team of his alma mater Columbia University, the Lions. When Goldwyn Pictures merged with Metro Pictures Corporation and Louis B. Mayer Pictures, the newly formed MGM retained the logo.

Since then, there have been five lions playing the role of "Leo The Lion". The first was Slats, who graced the openings of MGM's silent films from 1924 to 1928. The next lion, Jackie, was the first MGM lion whose roar was heard by the audience. Though the movies were silent, Jackie's famous growl-roar-growl sequence was played over the phonograph as the logo appeared on screen. He was also the first lion to appear in Technicolor in 1932.

The third lion and probably most famous was Tanner (though at the time Jackie was still used concurrently for MGM's black and white films). After a brief use of an unnamed (and very mane-y) fourth lion, MGM settled on Leo, which the studio has used since 1957.

The company motto "Ars Gratia Artis" means "Art for Art's Sake."

20th Century Fox: The Searchlight Logo

In 1935, Twentieth Century Pictures and Fox Film Company (back then mainly a theater-chain company) merged to create Twentieth Century-Fox Film Corporation (they later dropped the hyphen).

The original Twentieth Century Pictures logo was created in 1933 by famed landscape artist Emil Kosa, Jr. After the merger, Kosa simply replaced "Pictures, Inc." with "Fox" to make the current logo. Besides this logo, Kosa was also famous for his matte painting of the Statue of Liberty ruin at the end of the Planet of the Apes movie.

Perhaps just as famous as the logo is the "20th Century Fanfare", composed by Alfred Newman, then musical director for United Artists.

Paramount: The Majestic Mountain

Paramount Pictures Corporation was founded in 1912 as Famous Players Film Company by Adolph Zukor, and the theater moguls the Frohman brothers, Daniel and Charles.

The Paramount "Majestic Mountain" logo was first drawn as a doodle by W.W. Hodkinson during a meeting with Zukor, based on the Ben Lomond Mountain from his childhood in Utah (the live action logo made later is probably Peru's Artesonraju). It is the oldest surviving Hollywood film logo.

The original logo has 24 stars, which symbolized Paramount's then 24 contracted movie stars (it's now 22 stars, though no one could tell me why they reduced the number of stars). The original matte painting has also been replaced with a computer generated mountain and stars.

Warner Bros.: The WB Shield

Warner Bros. (yes, that's legally "Bros." not "Brothers") was founded by four Jewish brothers who emigrated from Poland: Harry, Albert, Sam, and Jack Warner. Actually, those aren't the names that they were born with. Harry was born "Hirsz," Albert was "Aaron," Sam was "Szmul," and Jack was "Itzhak." Their original surname is also unknown - some people said that it is "Wonsal," "Wonskolaser" or even Eichelbaum, before it was changed to "Warner."

In the beginning, Warner Bros. had trouble attracting top talents. In 1925, at the urging of Sam, Warner Bros. made the first feature-length "talking pictures" (When he heard of Sam's idea, Harry famously said "Who the hell wants to hear actors talk?"). That got the ball rolling for the studio and made Warner Bros. famous.

The Warner Bros. logo, the WB Shield, has actually gone many revisions.

Columbia Pictures: The Torch Lady

Columbia Pictures was founded in 1919 by the brothers Harry and Jack Cohn, and Joe Brandt as Cohn-Brandt-Cohn Film Sales. Many of the studio's early productions were low-budget affairs, so it got nicknamed "Corned Beef and Cabbage." In 1924, the brothers Cohn bought out Brandt and renamed their studio Columbia Pictures Corporation in effort to improve its image.

The studio's logo is Columbia, the female personification of America. It was designed in 1924 and the identity of the "Torch Lady" model was never conclusively determined (though more than a dozen women had claimed to be "it.")

In her 1962 autobiography, Bette Davis claimed that Claudia Dell was the model, whereas in 1987 People Magazine named model and Columbia bit-actress Amelia Batchler as the girl. In 2001, the Chicago Sun-Times named a local woman who worked as an extra at Columbia named Jane Bartholomew as the model. Given how the logo has changed over the years, it may just be that all three were right!

The current Torch Lady logo was designed in 1993 by Michael J. Deas, who was commissioned by Sony Pictures Entertainment to return the lady to her "classic" look.

Though people thought that actress Annette Bening was the model, it was actually a Louisiana homemaker and muralist named Jenny Joseph that modeled the Torch Lady for Deas. Rather than use her face, however, Deas drew a composite face made from several computer-generated features.